Devil May Cry 5’s producer answers 7 devilish questions as Capcom’s stylish sequel launches on PS4

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Find out how the studio has pushed the demon-slaying combat further than ever before

is now live on PS4! In celebration of the legendary demon-slaying series’ fifth installment, we reached out to producer Matt Walker of Capcom to get answers to a few devilish questions before we settle in for a weekend of rocket-riding, motorcycle-wielding, air-juggling action.

PlayStation Blog: Devil May Cry helped popularize the idea of an over-the-top action-combat-RPG way back in 2001. What’s it been like to see this genre mature (well, maybe that’s not the right word…) over the past couple decades, and how did the team look to push it further with DMC5?

Matt Walker, Capcom: It’s been amazing to see action change and evolve since the first Devil May Cry. There have been action games that have pushed the genre with open world elements, there are those that have implemented gear-based approaches like Monster Hunter, and there are even action games that have lifted storytelling in video games to rival what you see in longer established mediums like movies.

Itsuno-san’s main concept for DMC5 has always been to bring the focus back to “pure action” – he wanted to show the world that the essence of what makes action games fun hasn’t changed in the last 30 years – that game loop of coming up against a good challenge, and then feeling an immense sense of accomplishment by overcoming that challenge.

With DMC5 we pushed this further by adding a 3rd playable character with a completely different approach in V, and further differentiating Nero’s gameplay with the Devil Breakers.


What do you think are the biggest, most important changes to have happened to DMC’s combat system across its various installments? What are some of the most important things that haven’t changed?

Matt Walker, Capcom: The first Devil May Cry really established the template for stage-based 3D action games – I personally think it was the first one to translate the fun of side-scrolling 2D action games well to 3D. It literally defined Devil May Cry by introducing air combos and launchers, as well as the concepts of the Devil Trigger and the Style Rank.

In DMC2 we added a new playable character for the first time, as well as the ability to change weapons on the fly.

In DMC3 Itsuno-san fully took the reins and put his own spin on the story, the character design, and added fighting game like styles to give Dante even more options for playing.

In DMC4, we introduced Nero and the Devil Bringer, which gave him a completely new approach for combating enemies by pulling them in, as well as awesome throw/grapple moves he could perform on different enemies. We also introduced style switching in real time, which really solidified Dante’s gameplay as seamless.

As mentioned previously, DMC5 brings in Nero’s Devil Breakers and new character V, which will provide a brand new approach to gameplay for the series.


How drastically did the introduction of Devil Arms and Devil Triggers affect the overarching systems at play here? Did the dev team have to go back to the drawing board to see how that all fit in?

Matt Walker, Capcom: One very interesting thing about the way Itsuno-san makes games is that he never deviates from the original concept he had when starting out development.

Another way to put that is that he’s vetted his initial design so thoroughly before beginning development, that he never has to make any major changes to realise the final product.

That being the case, although we had instances where we tuned various parameters along the way, we never had any instances where we had to completely rethink or overhaul a mechanic to make it work.

In a game where you wield a motorcycle as a weapon and break dance fight – what is one idea the team thought was way too crazy to get into the final game?

Matt Walker, Capcom: One of the ideas we had for Dante was a figure skating weapon. At the time, figure skating was pretty big in Japan, and we thought it might be outrageous to see Dante figure skating. At the time we couldn’t think of a way to make it work quite right, so we shelved it.


What can you tell us about Nico?

Matt Walker, Capcom: She’s a badass. She’s the granddaughter of Nell Goldstein, the Gunsmith who created Ebony & Ivory. She’s the one who devised and created Nero’s Devil Breakers, and she’s Nero’s partner, who drives around the DMC Motorhome with him.

Everyone knows about Dante’s mainstay weapons (Rebellion, Ebony & Ivory), but we’ve got some new toys to play with in DMC5. What’s the deal with this hat weapon? What about literally using a motorcycle as a melee weapon?

Matt Walker, Capcom: The hat is called “Dr. Faust,” and it’s a throwback to an enemy from Devil May Cry 4. We thought it would be interesting to implement a risk/reward mechanic involving Red Orbs where you would use them, but could get back even more in return if you’re good.

The motorcycle is called “Cavaliere” – we’ve wanted to give Dante a motorcycle he could fight with since Devil May Cry 2. When revisiting the concept for Devil May Cry 5, one of the series animators provided a piece of concept art where Dante had the two pieces of the motorcycle in both his hands as he was dual-wielding chainsaws – it was right then and there we said we HAD to do it.


The developers have described DMC5 as having a certain “adolescent sense of cool” about it. What, in your mind, is the best example of a sense of style that only DMC can bring?

Matt Walker, Capcom: I think Devil May Cry is the only series that can combine PBR (Physically-Based Rendering) graphics with swords, guns, lasers, explosions, one-liners – and do it in a way that comes off as both sincere and AAA.

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  • Thanks for the insight!

    The game is amazing, yet surprisingly some of the OST tracks are a major letdown.. Makes me feel like I’m watching an all night long channel with discarded POP songs

    Doesn’t really bond too well with DMC in my opinion..

    • Yes the OST is pretty terrible, especially the vocal pop wubwub battle theme for Nero and random ballads.

      However there is the “battle theme” addon in the deluxe edition which gives the option of using battle themes from the older games instead. Which is a bit urgh, being a DLC, but it partially fixes the issue.

    • Not just the sound but since its reveal this game looks entirely awkward and phony. You can’t diliberatly try to make something stylish or badass, it just sort of happened with the first game. Since 3, the series has just been a silly parody of itself.

  • Very stylish censorship on the PS4 version, too. Thanks, California!

  • Shame about the cenorship though. Glad we can count of Capcom being upfront about it in the future. -_-

  • The “censorship” is a bit bizarre.

    Firstly it’s not anything not allowed in an M rated/17+ game. Secondly it’s not really even “censoring” anything as it’s just as “scandalous” with the censorship and without (a small random part of someones bottom is obscured, yet you can still see said bottom, in neither version can you see more than a bottom). Thirdly because the unpatched game has it in anyway.

    Soo, it seems a bit entirely pointless to add random glowing censorship lights that don’t really censor anything, as pretty as they are.

  • Dear mister Matt Walker, why don’t we get the full artistic version of this game? Is it because nudity is harmful? No it’s not, violence is but you are not about to censor that either, right, that would be stupid, as is it to censor nudity.

    I won’t buy this game because I won’t be able to enjoy the full artistic expression of the developers of this game in my country, I don’t even get a choice. I don’t want my games to be held back because of a prude America or an over sensitive Sony. Art shouldn’t be held back by censorship, not by the church, nor by governments and not by companies!

  • As many people already have pointed out the censorship of DMC5 on ps4 is so bizarre. There is a age rating system in place for a reason and requires any minor to have I.D to buy a game in there local gaming store . Whats even more baffling is the scenes that were censored were not as bad as other games already on the ps4 that remain untouched (Witcher 3) .

  • Looks cool but I won’t support censorship with my wallet, sorry!

  • As a long time series fan I think the game is phenomenal, however if Capcom or Sony had been upfront about the censorship then I would have cancelled my pre-order and just bought it on PC or Xbox. The game is rated 18+ for a reason. I’m over twice that age and I’m quite capable of making my own mind up over what I should and shouldn’t be viewing.

    We had the same nonsense with TLoU getting a blanket censor in the EU/UK because of Germany and now because the US are on some bizarre moral crusade we are being wrongfully nannied once more, it’s ridiculous. One good thing to come out of this is I now know to wait a while on future purchases to see how far Sony are going to push this and simply buy my games on a different platform where this type of thing isn’t happening.

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