The LAIR Score: Part Two

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Following up on my entry earlier this week, without walking you through the whole score, I wanted to call out a few tracks that stand out as prime examples of the principal themes contained in the score for LAIR. When you hear the elegant strains of the “Civilization” theme (Asylia theme), you’ll notice hints at the scope and power of the Asylian culture. It is high culture indeed, yet there is a dark side here.

“Crossing at Dawn-Bridge Battle” is an example of some of the more brutal and textural musical colors. Using primitive skin drums and ethnic woodwinds such as the “Makruna” and “Phillistine horn,” the ethnic side of Lair is revealed. This is a world we have only dreamed of, and for me, listening to the score, it comes to life. Musically, we must experience the majesty and scope of this world, and highlight its many sounds.

I could go on for quite a while describing the beauty of, for instance, Karen Han’s incredibly moving Erhu solo on “Mokai theme,” but that’s enough from me for today, so I’ll step back and let you the listener enjoy for yourself the amazing world of LAIR.


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